San Diego has been called many things – including a paradise. It’s also a refugee city, a cluster of neighborhoods, a militarized zone, a border town. And Asian American. This collection of four short documentaries, commissioned on the occasion of the 20th anniversary of the San Diego Asian Film Festival, maps many such San Diego’s – across ethnicity, geography and history. At the same time, they hold on to some notion of paradise, however illusory: a haven from war, the dreams of an immigrant, precious teenage reminiscences, solace in the afterlife, and spaces for creative expression.

This collection of four short documentaries, commissioned on the occasion of the 20th anniversary of the San Diego Asian Film Festival, maps many such San Diegos— across ethnicity, geography and history. 
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At the helm are four emerging cinematic voices who grew up in San Diego, have studied here, or who have once called it home. Norbert Shieh’s stirring film essay Two Miles East recalls a 2008 University City plane crash that cast a somber shadow over a military city. Quyên Nguyen-Le’s The Morning Passing on El Cajón Boulevard introduces us to the City Heights mortuary workers who help refugee families grieve. Joseph Mangat’s rousing observational piece Bidyoke thrusts us into the electric immigrant space of a karaoke-restaurant in National City. Lastly, in Reunion ‘99, R.J. Lozada interviews former classmates at his 20th high school reunion in the South Bay, and finds that memories, including his own, are not always reliable.

Sáng đi qua trên đường El Cajon
(The Morning Passing on El Cajón Boulevard)

produced, directed, edited by:
​​QUYÊN NGUYEN-LE

co-produced by:
BENJAMIN TO
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director of photography:
KAYLA TONG

additional cinematography:
​​QUYÊN NGUYEN-LE
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sound editor:
LIEN BAO DO